Montreal
Monday, July 17
Two clippings here confirm that the
recently surfaced Montreal audience tape is complete with only 14 songs. First, the Montreal Star provides
a perfect, sequenced tally of every blueprint song except Rip This Joint,
which matches what we hear on the recording itself. Then Weekend Magazine clinches everything with an
eyewitness explanation of why this very song was hurriedly dropped from the
Montreal set.
Listen closely to the 1:40-2:00 section of
Montreal’s All Down The Line on 1972 US Tour (Stones of
Fire). Does this audio segment capture
the commotion and flutter of the bottle incident? The singing and music seem to stall momentarily, and the comment
from the nearby fan appears to include the word “bottle” (as if he saw it land
on stage).
Montreal Star |
Montreal Gazette |
Ottawa Citizen |
Weekend Magazine |
Brown Sugar |
Brown Sugar |
Brown Sugar |
Brown Sugar |
Bitch |
Bitch |
Bitch |
|
Rocks Off |
Rocks Off |
|
|
Gimme Shelter |
Gimme Shelter |
Gimme Shelter |
|
Happy |
|
|
|
Tumbling Dice |
Tumbling Dice |
|
|
Love In Vain |
Love In Vain |
Love In Vain |
|
Sweet Virginia |
Sweet Virginia |
|
|
YCAGWYW |
YCAGWYW |
YCAGWYW |
|
All Down The Line |
|
|
All Down The Line |
Midnight Rambler |
Midnight Rambler |
Midnight Rambler |
Midnight Rambler |
Bye Bye Johnny |
|
|
|
JJF |
JJF |
JJF |
|
SFM |
SFM |
SFM |
|
Jagger: “white silk pant suit with a red sash” Opening: Stevie Wonder |
Jagger: “spangles in his hair, white velvet
sequined pants, a purple jockey’s hat, a flowing red scarf, a blue work
jacket, and a ruby in the middle of his forehead” Opening: “Martha and the Vandellas” |
Jagger: “a faded denim jacket over his skin-tight,
white suit” Opening: Stevie Wonder |
Jagger: “a white, satiny, body-clinging jump suit”
with “jean jacket and denim jockey cap” |
Amusement Business:
“The crowd of 20,000 was the largest, indoors, of the entire tour.” Montreal Gazette:
“At one point Jagger ducked sharply to his right as something flashed out of
the audience. Without breaking his stride he went on singing, while an aide
picked up a 40-ounce bottle and calmly moved it to one side. Miraculously it
hadn’t even broken. Sparklers were lit and thrown, though again no one seemed
to have been hurt, although this was no thanks to the thoughtless few who
threw them. Some firecrackers were set off, too, but they were lost in the
din of the crowd.” Weekend Magazine:
“CRACK! Jagger has heard every kind of firecracker, but this one sounded like
a shot. He stopped for a microsecond and then kept going. Nobody noticed. He
kept churning, moving to the heavy beat of All Down The Line. Two
seconds later – CRACK! Then, exactly the same interval and another. It was
precisely the spacing as if someone were aiming and firing. Jagger dropped to
one knee, still gyrating to the music. He was badly frightened, I was later
told...Ninety seconds later, a bottle sailed out of the crowd and hit him on the
leg. He winced...Jagger didn’t know it wasn’t aimed at him. His truck had
been bombed. People were shouting. The firecrackers sounded like shots. A
bottle had just hit him. He wound up the song, giving Richards his end-it
look.” Weekend Magazine:
“The next number was Midnight Rambler where Jagger and the Stones
always catch fire for the final five-song crescendo. Jagger moved through it
tightly. It was about the worst rendition of their showpiece song given on
the tour. Jagger signaled an early end here too, cutting about three minutes
from the song. ‘He was freaked,’ said Leonard. The rest of the show moved
downward, not up. The house lights usually come on after Rip This Joint.
Jagger wanted them on sooner, so the word was passed to cut Rip
completely, get the lights up, get the last two songs done and get the hell
out of here. They did. The crowd thought it was a great show.” Montreal Gazette:
“Jagger, who’s made his permanent home in the southern part of France, said
he may try some of his recently-learned French on the Forum fans tonight.” Le Devoir:
“A un moment donné, il s’est écrié en français: ‘Merci beaucoup, vous êtes
très gentils.’” Montreal Gazette:
“At one point Jagger screamed ‘très chaud, très chaud, très chaud’ and no one
would argue with that.” Ottawa Citizen:
“By the finale, Street Fighting Man, Jagger had praised his audience
in French, showered them with roses and water and tortured every last bit of
energy from his musically possessed body.” Montreal Star:
“When Mick Jagger had finished his singing and dancing he threw buckets of
water over the sweat-soaked audience and they drew up their arms as if
receiving benediction.” Montreal Gazette:
“Then the last number – a perfect finale for the you-can-stuff-it-if-you-don’t-like-it
Stones: Street Fightin’ Man. Up went the power salutes, and I honestly
believe that, at that moment, Jagger could have unleashed some real havoc on
Montreal if he had wanted to see some serious trashing done...But Jagger
threw six dozen roses worth of petals to the crowd, shot up the peace sign,
scampered offstage, and disappeared.” Montreal Star:
“It was oppressively hot in the Forum and Mick flung bucketfuls of water at
the audience and then the rose petals and soon they marched off never to be
seen again. The crowd yelled in vain for an encore.” Montreal Gazette:
“A helicopter had been on standby duty on the roof in case the group could
not leave by conventional means. It was not needed.” Weekend Magazine:
“Later, there was a party in Jagger’s room. He looked tired and washed out.
‘Not good, man,’ he said. ‘It wasn’t good.’” |
Selected
Press Clippings
Le Devoir1 * 2
Montreal Gazette1
* 2 * 3 * 4 * 5
Montreal
Star1 * 2 * 3 * 4 * 5
La Presse3 * 4 * 5
Weekend
Magazine1a * 3a * 4 * 5
* 6